Kameelah Janan Rasheed is a learner. Her middle name, Janan, comes from the Arabic trilateral root (J-N-N / جنان), evoking that which is unmoored, veiled, and unsanctioned. Accordingly, Rasheed explores the relationship between language, mysticism, and disobedience. She examines the materiality of wayward language—acrobatic (Clarice Lispector) sentences with trap doors (Fred Moten), runaway syllables that scatter to the marooned edges of a page, words that escape the orbit of its mother sentence, footnotes that consume their reference, and utterances that dissipate before being recorded.