The second Short Shadows program brings together three moving image works that employ the surface of architecture, celluloid, and the body to make visible material traces of multiple temporalities erased by colonization and misogyny:
"Sangre Seca" (2018) by Colectivo Los Ingrávidos; "Ch’u Mayaa" (2017) by Clarissa Tossin; "Zama" (2018) by Lucrecia Martel
