Benni Huang’s figurative paintings emerge from repeated studio sittings with local models, capturing the shifting psychological space between artist and subject. Her work explores the tension between what is revealed and what remains guarded, inviting viewers into an intimate encounter shaped by observation and perception.
Marcie Paper’s work moves through abstraction, pattern, and repetition. Drawing on the structure of short-term memory, her compositions create rhythmic visual systems where forms shift and reassemble, balancing order and improvisation.
Together, the exhibition brings into dialogue two distinct approaches to seeing: the immediacy of the observed body and the layered, evolving nature of memory.
