In the electric landscape of 1980s New York City, Peter Halley liberated the square from its prior minimalist stage and set it on fire for a new generation. For this exhibition, Peter Halley responds to ‘T’ Space’s unique use of symmetry and asymmetry. Inspired by Walter Gropius, Halley’s intervention will use planes of painted color to further articulate the existing architecture, with particular attention to exploring the composition of its apertures. He is collaborating with the gifted emerging sculptor, Steph Gonzalez-Turner, to generate a stimulating dialog between three arts: painting, sculpture, and architecture.