This exhibition of Hochman’s newest work also includes sculpture, his first foray into the third dimension since his study of ceramics in graduate school. In a series created from materials collected at the local dump, he turns plastic waste into arresting assemblages—sumptuous wall reliefs and free-standing sculptures—along with glittery still lifes. The results range from the playful to the sublime, underscoring the tension between the discarded base materials and their seemingly alchemical transformations. This transformation is filtered through Hochman’s acute perception of surface and lifelong exploration of materials.