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VERSION:2.0
PRODID:-//gyrobase/iCalendar//NONSGML v1.0//EN
BEGIN:VEVENT
UID:25582436-20261023T190000@chronogram.com
DTSTAMP:20261022T224558Z
LOCATION:434 Columbia St\,Hudson\, \,Hudson\, NY
DTSTART:20261023T190000
DTEND:20261023T200000
SUMMARY:Begotten
DESCRIPTION:Begotten was shot in black and white on 16mm reversal film\, then rephotographed frame by frame through neutral-density filters. The process took four years and roughly ten hours of work for every finished minute. After struggling to find conventional distribution\, the film found an early advocate in Susan Sontag\, who screened it privately and helped carry it into international film circles.Restoration personally supervised by filmmaker E. Elias Merhige. Restored from the original 16mm negative and optical soundtrack.
LOCATION;ALTREP="https://www.chronogram.com/hudsonvalley/time-and-space-ltd/Location?oid=9210752":Time & Space Ltd @ 434 Columbia St\,Hudson\,NY
CATEGORIES:Film
END:VEVENT
BEGIN:VEVENT
UID:25582436-20261024T183000@chronogram.com
DTSTAMP:20261022T224558Z
LOCATION:434 Columbia St\,Hudson\, \,Hudson\, NY
DTSTART:20261024T183000
DTEND:20261024T193000
SUMMARY:Begotten
DESCRIPTION:Begotten was shot in black and white on 16mm reversal film\, then rephotographed frame by frame through neutral-density filters. The process took four years and roughly ten hours of work for every finished minute. After struggling to find conventional distribution\, the film found an early advocate in Susan Sontag\, who screened it privately and helped carry it into international film circles.Restoration personally supervised by filmmaker E. Elias Merhige. Restored from the original 16mm negative and optical soundtrack.
LOCATION;ALTREP="https://www.chronogram.com/hudsonvalley/time-and-space-ltd/Location?oid=9210752":Time & Space Ltd @ 434 Columbia St\,Hudson\,NY
CATEGORIES:Film
END:VEVENT
BEGIN:VEVENT
UID:25582436-20261025T140000@chronogram.com
DTSTAMP:20261022T224558Z
LOCATION:434 Columbia St\,Hudson\, \,Hudson\, NY
DTSTART:20261025T140000
DTEND:20261025T150000
SUMMARY:Begotten
DESCRIPTION:Begotten was shot in black and white on 16mm reversal film\, then rephotographed frame by frame through neutral-density filters. The process took four years and roughly ten hours of work for every finished minute. After struggling to find conventional distribution\, the film found an early advocate in Susan Sontag\, who screened it privately and helped carry it into international film circles.Restoration personally supervised by filmmaker E. Elias Merhige. Restored from the original 16mm negative and optical soundtrack.
LOCATION;ALTREP="https://www.chronogram.com/hudsonvalley/time-and-space-ltd/Location?oid=9210752":Time & Space Ltd @ 434 Columbia St\,Hudson\,NY
CATEGORIES:Film
END:VEVENT
BEGIN:VEVENT
UID:25582436-20261026T163000@chronogram.com
DTSTAMP:20261022T224558Z
LOCATION:434 Columbia St\,Hudson\, \,Hudson\, NY
DTSTART:20261026T163000
DTEND:20261026T173000
SUMMARY:Begotten
DESCRIPTION:Begotten was shot in black and white on 16mm reversal film\, then rephotographed frame by frame through neutral-density filters. The process took four years and roughly ten hours of work for every finished minute. After struggling to find conventional distribution\, the film found an early advocate in Susan Sontag\, who screened it privately and helped carry it into international film circles.Restoration personally supervised by filmmaker E. Elias Merhige. Restored from the original 16mm negative and optical soundtrack.
LOCATION;ALTREP="https://www.chronogram.com/hudsonvalley/time-and-space-ltd/Location?oid=9210752":Time & Space Ltd @ 434 Columbia St\,Hudson\,NY
CATEGORIES:Film
END:VEVENT
END:VCALENDAR